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Memphis Group products were never intended to be timeless, or to have mainstream appeal. They were a statement; a protest against the neutral, understated and functional Modernism that preceded them. Here was a passionate movement driven by form, not function – designed to provoke an emotional response.
Memphis Design – Explore the Influential Memphis Design Style
We didn’t create form-based coding, but we’ve been trailblazers in the field for more than 20 years. We are experts in understanding how the form of buildings will shape community spaces, and we can simplify the process of introducing form-based codes with a predictable build-out. The Normandie Hotel in San Juan, Puerto Rico, which opened during 1942, is built in the stylized shape of the ocean liner SS Normandie, and displays the ship's original sign.
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They stood for everything that Modernism was against form instead of function, evoking emotion instead of contentment, and contrasting nature instead of integrating it. When not knowing anything about Memphis design, and taking a first look at some examples, it is hard to believe that the Memphis design style began as early as 1981. Its vibrant colors and dynamic forms make it look like a concept that can’t be older than a few months.
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10 iconic examples of Memphis design - Creative Bloq
10 iconic examples of Memphis design.
Posted: Fri, 19 Jan 2018 08:00:00 GMT [source]
In 2011, the movement was revived in organza skirts with shiny cubic pieces from a Christian Dior collection, which a few years later returned to influence architectural interior projects around the world. Surrendering to gaudy curves, vibrant colors and exaggerated compositions, Google's Amsterdam Headquarters and Esquire Office in India are examples of projects that show the global trend of Memphis' resurgence. Far from the US state of Tennessee, the Memphis movement emerged in Milan in the 1980s and revolutionized design. Its gaudy colors, exaggerated patterns and conflicting prints were intended to overturn the minimalism status quo of the time, also contradicting the functionalist design postulated by the Bauhaus with its purely aesthetic and ornamental forms. Garage Italia Customs were tasked to give two BMWs (the i3 and an i8) Memphis-style inspired makeovers for the Milan Design Week.
These shapes were illustrated with straight lines, or sometimes as hand-drawn. The popular Memphis “pill” pattern is often used inside these geometric shapes. Memphis Design is a 1980s design aesthetic characterized by scattered, brightly colored shapes and lines. It typically combines circles and triangles with black-and-white graphic patterns such as polka dots and squiggly lines.

In 2021, Saint Laurent joined forces with Memphis for its Rive Droite release with Memphis microbial patterns transplanted onto sneakers and its check patterns onto sweatshirts. Hun Kim, design director of Karl Lagerfeld, resurrected the Memphis theme for his spring 2024 ready-to-wear collection, opening up the discussion for a younger generation. Memphis was named after a Bob Dylan song, “Stuck Inside of Mobile With the Memphis Blues Again,” which played during the group’s inaugural meeting. Leclerc says there probably wouldn’t have even been a Memphis if Sottsass hadn’t had his own Kerouac-ian experience in the U.S. that opened his mind. Together with Sottsass Associati, Radl later founded 1984 Italiana di Comunicazione, a creative avant-garde advertising agency.
10 Best Home Decor Pieces Inspired by Memphis Design Movement - ELLE Decor
10 Best Home Decor Pieces Inspired by Memphis Design Movement.
Posted: Wed, 10 Feb 2021 08:00:00 GMT [source]
From wall decals to furniture, and décor accessories, shop '80s inspired pieces to add to any modern space. The movement did much more than inspire pop culture; it commanded the attention and following of some major tastemakers worldwide. When David Bowie's estate auctioned his art collection in 2016, it was revealed that he had collected more than 400 Memphis Design Group pieces since the '80s. Additionally, designer Karl Lagerfeld was also a fan and bought the entirety of Sottsass' first collection. Memphis Design is an influential and unapologetic postmodern style born in the '80s to a collaborative design group of architects and designers.
While the name might lead you to believe Memphis Design Group got its start in Tennessee, it actually emerged from Milan, Italy. The name was inspired by the Bob Dylan song Stuck Inside of Mobile with the Memphis Blues Again, which played on repeat during the group's first meeting. The Carlton has all the over-the-top characteristics of a Memphis design furniture piece, including the fact that it is enormous in scale at almost two square meters. Diagonal shapes are stacked on top of each other and are finished with clashing colors including bright orange, red, green, and soft pastel blue and yellow. When looking at entertainment as an example, the show Miami Vice included many architectural examples of Memphis design. Below we’ll be looking at a few iconic examples of Memphis design in each of the different categories including furniture, interior design, sports, vehicles, and product design that played a large part in the re-emergence of the Memphis aesthetic.
In the case of Memphis design, the design movements that inspired it were very unusual and made for interesting combinations. Nathalie Du Pasquier can be seen as the person who was single-handedly responsible for the recurrence of Memphis design. Although the group disbanded in 1987, Du Pasquier continued to collaborate with brands while keeping with the ethos of the Memphis design style. Bedin’s lamp was later manufactured in an artisanal workshop where many other Memphis designs were manufactured. The prototype of the Super Lamp is now exhibited in the Victoria & Albert Museum in London, England. The work he did there highly influenced the designs he created later for Memphis design.
MEMPHIS was a Milan-based collective of young furniture and product designers led by the veteran Ettore Sottsass. After its 1981 debut, Memphis dominated the early 1980s design scene with its post-modernist style. The response of the Milan party, later dubbed the Memphis Group, was a bold style that would disrupt the status quo. An exposition followed thereafter in which they showcased outlandishly gaudy pieces. The furniture was colorful, asymmetrical, often uncomfortable, constructed of cheap materials and—in a cheeky parody of high class culture—all named after luxury hotels.
The Sterling Streamliner Diners in New England were diners designed like streamlined trains. The style was the first to incorporate electric light into architectural structure. In the first-class dining room of the SS Normandie, fitted out 1933–35, twelve tall pillars of Lalique glass, and 38 columns lit from within illuminated the room. The Strand Palace Hotel foyer (1930), preserved from demolition by the Victoria and Albert Museum during 1969, was one of the first uses of internally lit architectural glass, and coincidentally was the first Moderne interior preserved in a museum. In France, it was called the style paquebot, or "ocean liner style", and was influenced by the design of the luxury ocean liner SS Normandie, launched in 1932.
Teal and soft pink featured prominently in the installation, as well as panels of monochrome grids and stripes. Like a visual crib-sheet of Memphis motifs, Du Pasquier's Tapigri rug features simple 3D silhouettes of cubes, decorated by rough monochrome patterns, on a background of overlapping dark blue squares and circles – with a bright primary-yellow trim. The same design is also available in black, white and grey for a more Art Deco vibe. It influenced high fashion houses Missoni, Karl Lagerfeld and Christian Dior, and the latter's 2011 collection helped kick-start the modern movement in earnest. Contemporary creatives are also putting a fresh spin on the Memphis design aesthetic, such as London-based French designer Camille Walala, who graduated from the University of Brighton in 2009.
Within the group's libertarian philosophy, the objects presented mixed different materialities, such as ceramics, metal and cheap plastic laminates, creating shapes that ranged between geometric and organic designs. An exaggerated composition that did not pass unscathed from comments and criticisms that claimed that the works were an affront to what was considered beautiful. The building consists of striking black and white stripes, and the speckled patterns that Memphis design is so well known for can also be seen above the entrance facade. Simple geometric shapes with vibrant colors engulf the building and make it stand out from a mile away.